My sincerest apologies for the lack of posts, but I swear I have a good reason for it: I’ve just been too damn busy. I had just enough time off to enjoy Thanksgiving with the folks up in Michigan. But I am not complaining.
The Mark of Zorro just closed last Sunday, bringing to a close the longest run I’ve ever had on a single show, as well as the longest streak of non-stop theatre work in my career. I was sorry to see Zorro end. It was a huge amount of fun, and Lifeline Theatre is just a great group to work with. Fingers crossed, I’ll get another opportunity soon.
This week, I dive back in and try to get a new streak going. Tonight I have a small role in The Strange Tree Group’s holiday party, The 12 Grave Errors of Christmas. I also have auditions lined up for this Tuesday and Wednesday, as well as next Sunday, plus two more the Saturday after that. I am a little stressed about the auditions for this week. They are all monologue auditions, which I have had to do very little of for the past several years. In fact, since 2004 I have done exactly two monologue auditions, total. My success rate is fifty percent.
I also have a small stage combat gig lined up: I will be choreographing the violence for Steep Theatre Company’s production of In Arabia We’d All Be Kings by Stephen Adly Guirgis, directed by one of the best directors I’ve ever worked with (and one of my best friends), Joanie Schultz. She’s usually good enough to give me a call whenever one of her plays requires a beatdown, and I am always happy to oblige.
There is other stuff to report regarding books I’ve read, albums I’ve heard, and jobs I may or may not have gotten. More on all that coming up. Stay tuned!
Congrats on the run and break a leg on the upcoming auditions. I think we are going up for a couple of the same shows/companies. I am equally frustrated by the monologue change from my regular auditions of late.