called on account of rain

I have the best day job in the world. As a member of A Crew of Patches Theatre Company, I get to perform in three of the greatest plays ever written (Julius Caesar, Romeo and Juliet, and Macbeth) at high schools all over the Chicago area. I love the roles I play, I love the audiences, and I love interacting with the students, but mostly I love the company itself. The carpools to the shows are some of the most fun you can have with a small group of sleep-deprived artists crammed into a small vehicle at 6:00 in the morning.

But sometimes, that morning turns out like this:

patchesmorning

 

After about an hour and a half on the road, we finally got word that the school we were trying to reach had closed due to flooding. It took us another two and a half hours to make it back home. Normally it would be a little over sixty minutes for the round trip.

On the plus side, I’m now back home and have the day to get other work done, or take a nap, or perhaps both. The downside is that we get paid by the show. We were supposed to do two today. This turned out to be a very expensive pointless four-hour car ride.

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stuff to do

I’m enjoying a rare full day in which I have nothing I have to do. That may not be really accurate; I have plenty of stuff I have to do. But I don’t have to do any of it today, which is pretty awesome. But I have a full week ahead of me, which is also pretty great. This week I have:

  • Five shows in four days with A Crew of Patches – three Romeo and Juliets, and two Macbeths.
  • A full week of rehearsals for The Three Musketeers – I’m on the poster! That’s a first for me.
  • A Tale of Two Cities – Draft 2.0.

The Lifeline ensemble gathered to read the first draft of A Tale of Two Cities last week, and provided me with much feedback to go into the next draft. I’m very excited about it… and a little intimidated. Time is a factor, and between the Patches shows, Musketeers rehearsals, the shooting schedule for Like Father Like Daughter, and a new (non-artistic) project I’m taking on for my theatre company, time is more scarce than usual. But I like it that way. If I have to budget my time, I end up using my time more efficiently. It’s these days when I have one thing I have to do that will take maybe forty-five minutes, and I have all day to get it done, then I will find ANYTHING to keep me distracted until I have a half hour left to get that forty-five-minute project done. It’s obnoxious.

But today I’ve got this couch. And Looper from Netflix. And a friend loaned me Les Miserables on Blu Ray. And I’ve got a Hulu Plus account – did you know you can watch the entire Criterion Collection on there? So I’m good.

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The 2nd Time I Totally Met China Miéville

Author China Miéville attended the March 16th evening performance of The City & The City at Lifeline Theatre. He signed books for an hour before the show, and then was kind enough to stick around for a Q&A, along with me, director Dorothy Milne, and some of the cast.

Me, making a salient point as China Miéville looks on, thoroughly impressed. (Shut up. That's totally what's happening there.)

Me, making a salient point as China Miéville looks on, thoroughly impressed. (Shut up. That’s totally what’s happening there.)

From left to right: Steve Shine, China Miéville, Don Bender, Christopher Hainsworth, me, Megan Storti, Millie Hurley, Dorothy Milne, Marsha Harman

From left to right: Steve Shine, China Miéville, Don Bender, Christopher Hainsworth, me, Megan Storti, Millie Hurley, Dorothy Milne, Marsha Harman

I started working on the script about a year ago. This was the high point of the process.

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Lifeline Theatre Announces 31st Season

My home base, Lifeline Theatre, has announced its schedule for the 2013-2014 season. I’m excited to report that I’ll be making my third foray into the world of adaptation with Charles Dickens’ A Tale of Two Cities, opening in February 2014. Here’s Lifeline’s full slate for next season:


MAINSTAGE (WAR & REDEMPTION)

The Killer Angels
September 6 – October 27, 2013
Based on the novel by Michael Shaara
Adapted by Karen Tarjan

A Tale of Two Cities
February 14 – April 6, 2014
Based on the novel by Charles Dickens
Adapted by Christopher M. Walsh
Directed by Elise Kauzlaric

Monstrous Regiment
May 30 – July 20, 2014
Based on the novel by Terry Pratchett
Adapted by Christopher Hainsworth

 

KIDSERIES (TREATS, TRIALS & TRAVELS)

Click, Clack, Boo! A Tricky Treat
October 19 – November 21, 2013
A new musical premiering in conjunction with the publication of the book by Doreen Cronin, illustrated by Betsy Lewin
Adapted by James E. Grote
Music and lyrics by George Howe
Directed by Shole Milos

The True Story of the Three Little Pigs!
January 11 – February 16, 2014
A musical based on the popular bestseller by Jon Scieszka and Lane Smith
Adapted by Robert Kauzlaric
Music by Paul Gilvary and William Rush
Directed by Amanda Link

Lyle Finds His Mother
March 22 – April 27, 2014
A world premiere musical based on the beloved classic by Bernard Waber
Adapted by Jessica Wright Buha
Music by Michael James Brooks
Directed by Dorothy Milne

 

Come join us, won’t you? You can get more information at lifelinetheatre.com.

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Press for The City & The City

“4 STARS… Several fans of the book have asked me with incredulity in recent weeks how it could possibly work onstage; the answer is, pretty impressively. Adapter Christopher M. Walsh smartly compresses the cast of characters so they can be embodied by ten versatile actors… An enjoyable potboiler with a unique twist, The City & the City is a great place to visit.” - Kris Vire, Time Out Chicago

“Bringing this cross-hatched manhunt to the stage was initially the work of adapter Christopher M. Walsh, who has distilled – or perhaps the word is processed – Miéville’s novel with a sure sense of cohesion amid the froth of complexities and the punctuation of surprises.” – Lawrence B. Johnson, Chicago on the Aisle

“Smart and richly wrought.” – Chris Jones, Chicago Tribune

 

The show continues through Sunday, April 7th. Get tickets at lifelinetheatre.com.

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The City & The City

I’m getting ready to head to the theater for the opening of my newest play, The City & The City, adapted from the novel by China Miéville for Lifeline Theatre in Chicago. Here are some images from the final dress rehearsal:

Raina explains how things really work to Inspector Borlú, in Lifeline Theatre's THE CITY & THE CITY.

Raina explains how things really work to Inspector Borlú, in Lifeline Theatre’s THE CITY & THE CITY.

Breach. (From Lifeline Theatre's THE CITY & THE CITY.)

Breach. (From Lifeline Theatre’s THE CITY & THE CITY.)

Borlú makes the mistake of visiting home, in Lifeline Theatre's THE CITY & THE CITY.

Borlú makes the mistake of visiting home, in Lifeline Theatre’s THE CITY & THE CITY.

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Snow Day

It’s a couple minutes before six in the morning and I’m about to go back to bed. Had this day gone the way it was supposed to, I’d currently be in the front passenger seat of a friend’s car, with three other friends wedged in the back, on the way to the south side to perform Macbeth for a bunch of high school students. But nature had other plans, and we’re taking a snow day. As much as I could use the money, this really could not have timed out better. I have a lovely cold brewing in my chest and sinuses, and from the moment my alarm went off (at 4:30 this morning) I have wanted nothing more than to burrow under some blankets and forget about the world for a while.

I will get to that shortly. Getting back to sleep after I’ve woken up is not something that comes easily to me. So, after the rush of getting ready to leave, I’m now taking the time to decompress a little by typing my first post in my new WordPress-powered blog. I’d been using Blogger for the past eight years, but I figured it was time to haul myself into the current decade and figure out how this whole WordPress thing works. Plus, I couldn’t help but notice how many employers these days are looking for people with some familiarity with the platform. I figured it couldn’t hurt. So far I like it a lot.

Okay. Fatigue and chills are settling back over me. Time to slouch off back to bed.

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Off Book

Chicago theatre reviewer Katy Walsh of thefourthwalsh.com and Joshua Volkers were kind enough to have me on their podcast, Chicago Theatre Off Book, to talk about The City & The City. It was my second time on the show; they had me on in 2011 to talk about The Count of Monte Cristo. You can listen to it by clicking here.

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Holy Crap! It’s 2013 Already?

Okay seriously. I was not prepared for this. Only just now have I grasped the concept that we are in a completely new year, and the first month is already almost over. I need to get my head in the game.

Last year, and the year before, and perhaps the year before that, I made resolutions. I’m not doing that this year because when I looked up last year’s to see how I did I was really pretty embarrassed. In my defense, last year’s list of resolutions was ambitious and included things like learning how to play piano. Well, I am not a piano player yet, although I know a little more now than I did a year ago. Not much, though. Not enough to, say, score a musical, which is a thing I really wish I could do. But I can’t. I think that in order to have that level of musical knowledge I should have started many, many years ago.

A lot of last year’s resolutions were projects, most of which I did start, but failed to finish. I did write an original play and submit it to a company… but it was a 10-minute radio play, which doesn’t really fit the criteria I had in mind when I made the resolution. Again, in my defense, I did not have as much time to write a new play as I thought I would. I had to write my adaptation of The City & The City, and I have no less than three other projects cooking right now, all adaptations. I have not given up my dream to write original stuff, but I’ve got to prioritize. And I’ve got to get way better at, you know, actually writing stuff. I spend way too much time sitting and staring at the blinking cursor on the screen, willing something new to come out of my brain through my fingertips and onto the keyboard. Often I’ll spend half an hour doing nothing but rewriting the last sentence I’d managed to come up with from the day before.

My goals this year are even simpler: Write more, work more. That’s it. To that end, I have some exciting projects already lined up for this year:

1) Next Saturday, February 9th, my adaptation of The Count of Monte Cristo opens at Mob Hit Productions in Calgary, Alberta. It’s my international debut!

2) My second adaptation, The City & The City, opens at Lifeline Theatre in Chicago on February 25th.

3) Later this spring I’ll be acting in a film being shot in the Chicago area, titled Like Father Like Daughter.

4) This summer I’ll be playing Porthos in The Three Musketeers, again at Lifeline Theatre, opening June 13th.

5) A Crew of Patches will continue bringing Shakespeare to area high school students through May of this year.

6) I have two more adaptations greenlit for future productions at Lifeline, and I hope to have a third one added to the mix before long.

That should keep me out of trouble at least until July. It’s a pretty heavy workload for me, at least artistically. If only I could find a way to make money off of it. (That’s the real challenge of the year: Making money. I did not do very well at it last year.)
A belated Happy New Year to all of you!
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An Open Letter to Joss Whedon… Because Why Not?

Dear Mr. Whedon,

I am an actor– WAIT! DON’T STOP READING YET!!! Let me try this again.

There is a character in the Marvel universe named after me, and I think you should cast me to play him… me… him. Please let me explain.

Christopher M. Walsh first appears in Invincible Iron Man #8. He is a HAMMER agent, working for Norman Osborn. Agent Walsh is a minor character who has appeared in a handful of issues since then. I have fairly good reason to believe that this character is named after me.

Invincible Iron Man was written by Matt Fraction. “Matt Fraction” is the pen name of Matt Fritchman. Matt Fritchman lived about a block from my house when we were around eight years old. We were best friends for a few years, until his family moved out of town. During the time we knew each other, our lives were entirely consumed by Star Wars, Legos, GI Joe, and comic books. We even once attempted to write our own comic book. I lost interest, but it apparently stuck for Matt.

Matt and I lost touch and haven’t spoken in almost 30 years, except for one brief exchange over MySpace in the mid-2000s, shortly after I figured out that the Matt whose books I’d been reading was the same as the Matt with whom I discovered my inner geek all those years ago.

So, I can’t prove my hypothesis – at least, not without getting a hold of Mr. Fraction and asking him point blank, which just sounds awkward – but the circumstantial evidence is pretty convincing, don’t you think?

I have no actual expectation that you are going to drop everything and write the next Avengers or SHIELD script with me in mind. That would be crazy talk. Frankly, I would be thrilled to learn that you even got a chance to read this letter. But on the off-chance that you do read it, and for some reason you find a place for that random character in one of your projects, I hope you’ll remember this letter. I actually am an actor. I’m based in Chicago and most of my work is on stage. I’m a member of the artistic ensemble at Lifeline Theatre, where we adapt literary works for the stage. I’m currently writing an adaptation of China Miéville’s The City & The City which opens in February 2013.

I’m also a huge fan of yours. Firefly is one of the greatest things since… well, since Matt and I made up our own Star Wars stories with our toys back in the early ’80s. I can’t wait to see what you do next.

Best Wishes,

Christopher M. Walsh
(the real one)
christophermwalsh.com

(See? We even kinda look alike! Kinda. Sorta. Maybe.)

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current/upcoming events:

May 2013

Appearing as Porthos in THE THREE MUSKETEERS at Lifeline Theatre, running May 31 - July 21, 2013.


February 2014

Adapting A TALE OF TWO CITIES for Lifeline Theatre, running February 14 - April 6, 2014.